On 23 August, Picasso began to study a print of Poussin’s The Triumph of Pan. This version is in the National Gallery in London:

First he drew an ink sketch (the whereabouts of this are unknown):

Then he began a watercolour and gouache version (this is also lost):

After the liberation, US Army cameraman Francis Lee took this photo of Picasso – apparently in his lover’s Ile Saint-Louis appartment – with the painting:

In the 1950s, a lithograph was made of the painting. This version is in the National Gallery of Australia:

After the tomato plant paintings, Picasso first drew some life drawings of a couple, then some portraits of boys and girls:

This photo, taken on the balcony of the Ile-Saint-Louis appartment where Picasso painted Baccanale, was taken after the Liberation by an American visitor. Taken from here.